Japanese hair artist Tomihiro Kono has a putting and distinctive fashion. You’ve got most likely seen his playful creations between Björk and Grimes, in addition to taking tracks from Junya Watanabe and COMME des GARÇONS. After researching the artwork of hair for over twenty years, Kono has grow to be the business’s favourite hair fanatic. Due to her distinctive and evocative fashion, the New York hairstylist has now gained a popularity for creating otherworldly worlds that sway the thoughts.
Kono’s irreverent creations invite you on a journey of transformation and show that maximalism is not a fad. Discovering magnificence in imperfection, just like the Japanese motif of wabi-sabi, her work by no means fails to rejoice magnificence by a wealthy subcultural spectrum, full of touches of pastel Kawaii and witty cyberpunk references. His nuanced method to physicality has confirmed to have the potential to rework people into hybrid beings.
In April 2017, Kono launched HEAD PROP Research, 2013-2016, a e-book that chronicles his early work as a prop designer and shares the craft behind his creations by private images, sketches and photograph grids. Three years later, the inventive launched “Personas 111 – The Artwork of Wig Making,” which explored the facility of transformation by documenting a mannequin in 111 completely different wigs. Kono is again along with her third e-book, “Fancy Creatures,” which showcases her newest and most creative vary of wigs, designed between 2020 and 2022.
“Fancy Creatures” goes past the structure of hair artwork or great thing about type; this time, Kono examines the connection between people and the microorganism of planet Earth. Impressed by the magical materiality of deep sea creatures, furry moss and even the endangered moth, the Japanese wig maker finds surprising magnificence in issues usually thought-about ugly. “Fancy Creatures” provides a visible vibrancy that continues Kono’s avant-garde imaginative and prescient, exploring the facility and intimacy of human hair as a component historical but modern, acquainted but terrifying, fascinating but unsure.
For Tomihiro, “it’s the achievement of our everlasting human want to metamorphose by creativeness and creation, to rework our earthly our bodies into one thing else. We hope that you just, the reader, will benefit from the view of the brand new metamorphosis of man.’ In response, the artist has organized an exhibition on the Present Plans gallery in Hong Kong beginning on December 4th. As for the official launch of “Fancy Creatures”, we could have to attend slightly longer, as there might be a e-book. Revealed in January 2023.
Hypebae had the chance to talk with Tomihiro Kono to be taught extra about his e-book and exhibit, his sources of inspiration, and what’s subsequent for his profession.
Preserve scrolling to learn our unique interview.
You’ve such a particular and nuanced aesthetic. Who’s your largest inspiration?
How did your upbringing affect the artist you might be right this moment?
I grew up within the countryside, within the mountains and within the sea. My mother and father did not give me toys after I was little, so I usually made my very own video games. Possibly that is the explanation why my thoughts is consistently stuffed with concepts and I at all times discover inspiration in nature.
Your wigs usually cowl your fashions’ faces. What’s so fascinating in regards to the absence of human traits?
I at all times need to spotlight the cleanliness of my wigs. I understand the faces of my fashions as easy canvases. I discover that human faces have a lot data and a really clear persona, which is why I desire to not reveal them and discover the notion of transformation.
What would you like folks to really feel after they put on your wigs?
I would like folks to really feel the fun of immediate transformation.
Who or what’s your muse?
Inform me extra in regards to the new e-book and exhibition in Hong Kong.
That is my third e-book and I created it in collaboration with my associate Sayaka Maruyama.
What’s subsequent for you?
I wish to begin exhibiting all around the world and proceed documenting my work by books.